Keyboard Accompanying

Curriculum Guideline

Effective Date:
Course
Discontinued
No
Course Code
MUSC 1157
Descriptive
Keyboard Accompanying
Department
Music
Faculty
Language, Literature & Performing Arts
Credits
1.00
Start Date
End Term
Not Specified
PLAR
Yes
Semester Length
15 weeks
Max Class Size
18
Contact Hours
Lecture 1 hour per semester Seminar 3 hours per semester Music Private Lesson 2 hours per semester
Method(s) Of Instruction
Lecture
Seminar
Tutorial
Learning Activities

Each keyboard student will be assigned a B.Mus. vocal or instrumental concentrator to accompany at the beginning of the semester.  Each keyboard student will receive four half-hour individual coachings (private lesson mode) on the required scores for accompaniment during the semester, and will participate in three hours of accompaniment master classes (seminar mode) in three smaller groups of up to six students each, as arranged by the instructor(s).  At the beginning of the semester all students will attend an introductory one-hour lecture (lecture mode).

Course Description
The keyboard player who is accompanying a singer or solo instrumentalist is given instruction in ensemble rehearsal techniques. The course will foster the importance of communication and musical understanding between performers.
Course Content

Learning approaches to accompanying various genres of vocal and instrumental music (including concerto and opera score reductions, and basso continuo), as appropriate.

Learning various aspects of ensemble rehearsal and performance including intonation, rhythmic accuracy, phrasing, balance, texture, colour, and text expression (vocal), as well as developing sensitivity to harmonic and formal structures, awareness of stylistic issues, and attention to ensemble listening skills.

Learning Outcomes

To develop an awareness of ensemble techniques for the keyboard accompanist and to foster communication and musical understanding between performers.

Means of Assessment

Grades are based on the student’s regular preparation for individual coaching sessions (private lessons), and on their application of the ensemble principles learned in master class and/or recital, and in juries.

Preparation for individual coachings (private lessons) (maximum of 4) 60%
Performance accompaniment (minimum of 1, either in master class or in recital) 25%
*Jury accompaniment 15%

*This portion of the grade will be given by the instructors present at the vocal or instrumental jury.

Textbook Materials

Students may be required to purchase one or more of the scores used during the semester.

Prerequisites

B. Mus. Entrance with keyboard concentration, or permission of the instructor.

Corequisites
Which Prerequisite