The Comic Vision
Curriculum guideline
Some or all of the following methods will be used:
- Lecture/discussion;
- Group work;
- Peer editing;
- Instructor feedback on students’ work; and
- Individual consultation.
All second-year English literature courses share the following features:
- Students are presumed to be proficient in the writing of critical essays on literary subjects.
- Students are required to read in the course subject area beyond the texts assigned by the instructor or discussed in class.
- Students are required to incorporate into their oral and written coursework secondary source materials. These may include autobiographical or biographical material; literary criticism or theory; unassigned texts by the author under study; relevant cultural or intellectual history; or other arts, such as music, film, or fine arts.
- Readings and topics will vary with each instructor’s presentation of a course; however, all course materials are consistent with the objectives/outcomes stated above (in section “M”).
In English 2315, students will examine:
- what makes a literary text (or other modes such as jokes, cartoons, T.V. shows, or film) humorous;
- ways in which comedy is shaped by its historical and cultural contexts, and, conversely, the transcultural nature of some comic elements which seem unaffected by time, place, or language;
- ways in which comic writing is used to address social, psychological, political, and ethical questions.
Upon completion of any second-year English literature course, the student should
- be able to use with increased proficiency the skills of literary analysis taught in first-year English courses;
- be able to recognize the significance of the literary and non-literary or cultural context of a work being studied, such as the biographical, historical, mythological or philosophical context;
- be able to read critically and use in essays secondary sources, such as criticism and other texts by the same author, as an aid to comprehending the primary text(s) being studied;
- be able to read critically and independently works or aspects of works not discussed in class; and
- be able to formulate a thesis on a given subject in one or more specific works, and to develop this thesis using suitable textual evidence.
Upon completion of English 2315, the student should also have deepened her/his understanding of
- writers’ use of language and structure to create comic effects;
- influences of cultural and historical contexts in shaping comic writing;
- the differences between comedy and tragedy;
- the differences between “high” and “low” comedy;
- the characteristics of various sub-genres within the comic tradition, such as social satire, parody, black humour, and romantic comedy;
- critical theories of humour and comedy.
- A minimum of two formal academic essays, with a combined value of at least 40% of the course grade.
- A minimum of 80% of the course grade will be based on writing assignments (essays, essay-based exams, journals, paragraphs); a maximum of 20% of the course grade may be based on informal writing (quizzes, short answer tests); oral reports/presentations; participation/preparation grades; and/or other non writing-intensive assignments.
- A minimum of 15% of the course grade will be based on in-class writing (essay or exam).
Textbooks and Materials to be Purchased by Students:
Texts will vary depending upon the instructor, and may include shorter readings compiled in custom course packs.
Two sample reading lists follow:
Sample List A:
- Aristophanes, Lysistrata
- Selections from Chaucer’s The Canterbury Tales
- Shakespeare, As You Like It
- Jane Austen, Pride and Prejudice
- Mark Twain, The Adventures of Huckleberry Finn
- Oscar Wilde, The Importance of Being Earnest
- Samuel Beckett, Waiting for Godot
Sample List B:
- Regina Barreca, The Penguin Book of Women’s Humor
- Alan Ayckbourn, Table Manners (part of The Norman Conquests trilogy)
- Drew Hayden Taylor, The Buz’Gem Blues
- Thomas King, One Good Story, That One
- Nora Ephron, Heartburn
- Jonathan Franzen, The Corrections
- Sarah Silverman, The Bedwetter: Stories of Courage, Redemption, and Pee
Any TWO university-transfer first-year English literature courses, or ONE university-transfer first-year English literature course and ONE university-transfer first-year Creative Writing or English writing course.