Sequencing and Synthesis II

Curriculum Guideline

Effective Date:
Course
Discontinued
No
Course Code
MUSC 2171
Descriptive
Sequencing and Synthesis II
Department
Music
Faculty
Language, Literature & Performing Arts
Credits
3.00
Start Date
End Term
Not Specified
PLAR
Yes
Semester Length
15
Max Class Size
26
Course Designation
None
Industry Designation
None
Contact Hours

Lecture: 4 hours/week

Method(s) Of Instruction
Lecture
Learning Activities

Lecture/demonstration. Students will work alongside the instructor, either in the large studio or Technology Lab. Students will be expected to complete regular assignments and projects outside of class time. These can be done in the lab, the studio, or at home.

Course Description
Through lecture/demonstrations and lab work, students will continue to explore advanced techniques in synthesis and audio. Emphasis will be placed on ways in which audio and synthesis are combined in modern music production, along with more experimental uses of this technology. This course will further the exploration of advanced sequencing and production techniques introduced in Music 1271, including the use of Logic Pro plug-ins.
Course Content

Lab work will utilize advanced sequencing and synthesis including the following:

In-depth synthesizer programming including:

  • Sound Design using the synthesizers Sculpture, Ultrabeat, ES2, and ES1.
  • Programming utilizing EXS24, EVOC 20 PolySynth and Sculpture.
  • Side-chain production utilizing internal plug-ins.
  • Sequencing using hybrid synthesizers.
  • Sequencing with alternative MIDI controllers.
  • MIDI production using leading-edge features including Advanced Transformers.
  • Operations, Input Quantize and Compression, Multi-Input Recording, and Advanced Editing.

In-depth MIDI productions work will include the following:

  • Advanced MIDI effects such as Arpeggiators, Chord Triggers, Scripting, Randomizing, and Control Change Modifiers.
  • Advanced audio effects on MIDI and audio tracks.
  • Production techniques designed specifically for different styles.
  • Production techniques designed to maximize mix diversities.
  • Advanced Digital Sampling techniques including velocity-cross fading.
  • Multiple-zone programming, filter programming, and audio file processing.

In-depth compositional production techniques including:

  • Alternate stylistic production for synthesis and synthesizers.
  • Creation of hybrid productions utilizing third-party plug-ins.
  • Recognition of varied stylistic methods of production utilizing Logic Pro X Plug-Ins.
  • Multiple compositions and productions using contemporary techniques.
Learning Outcomes

Upon successful completion of this course, students will be able to work unasissted in a major DAW (Digital Audio Workstation) and apply the following:

  • In-depth synthesizer programming;
  • In-depth MIDI production;
  • In-depth compositional production techniques.
Means of Assessment

Assessment will be based on course objectives and will be carried out in accordance with the Douglas College Evaluation Policy. 

The following is an example evaluation scheme:

Tests and/or assignments (minimum of three)  25%
Midterm Project(s)  30%
Final Project  35%
Professionalism  10%
Total 100%

Professionalism is assessed on consistent attendance, punctuality, taking responsibility for deadlines, constructive and considerate inter-personal communication and contribution to class discussion and group work. 

Textbook Materials

No texts or materials are required. All required hardware and software for the completion of assignments and projects is available in the studio.

Prerequisites
Which Prerequisite