New Play Development and Production Workshop
Overview
Script development
- The Cold Reading
- The Role of the Dramaturge
- Rewriting
- The Staged Reading
Directing
- Pre-production Text Analysis
- Casting Issues
- Rehearsal Tools and Techniques
Leadership
- Building a Collective Vision
- Building a Committed Team
Teamwork
- Understanding Roles
- Interpersonal communication
Acting
- The Actor’s Role in Creating New Characters
- Workshop Protocol.
- Advanced Practice in Working as an Ensemble
Designing a Production
- Approaching a new script.
- Visual storytelling
- Creative Process for Design Elements
Stage Management
- Organizational Skills
- Aspects of Production Management
The Business of Production
- Grant writing
- Fund raising through private sources
- Budgeting
- Advertising and Promotion
- Legal issues
Front of House
- Box office, ticket sales
- Concession
- Programs
Lecture: 3 hours per week
Workshop/studio: 12 hours per week
Weekly research assignments on topics such as dramaturgy, directing, design, budgeting and promotion | 40% |
Class participation | 20% |
Written assessments of scripts at the cold reading and staged reading phases | 10% |
Final projects (including final written analysis of the various aspects of production | 30% |
Upon successful completion of the course, the student will:
- be able to discuss new scripts in an informed and constructive manner;
- (the student writer will) recognize contributions from other members of the artistic team and be able to move scripts forward by rewriting;
- (the student designers will) be able to create an elementary design for a new play;
- be able to work together in multiple capacities as a collective with a common goal;
- understand the artistic, financial and administrative aspects of developing and producing a new play; and
- be able to mount a festival consisting of new plays.
- Scriptwork, A Director’s Approach to New Play Development, David Kahn and Donna Breed, Southern Illinois University Press
- Working on a New Play, Edward M. Cohen, Limelight Editions (Prentice Hall)
- Produce Your Play Without A Producer, Mark Hillenbrand, A Smith and Kraus Book
Lab fees of $100 for the Production Budget
Requisites
Prerequisites
Diploma in Theatre or Stagecraft, or Associate of Arts Degree in Creative Writing, or equivalent education and/or experience. Student acceptance determined by the Performing Arts Coordinator.
Corequisites
No corequisite courses.
Equivalencies
No equivalent courses.
Course Guidelines
Course Guidelines for previous years are viewable by selecting the version desired. If you took this course and do not see a listing for the starting semester / year of the course, consider the previous version as the applicable version.
Course Transfers
These are for current course guidelines only. For a full list of archived courses please see https://www.bctransferguide.ca
Institution | Transfer details for PEFA 3120 |
---|---|
Simon Fraser University (SFU) | SFU CA 3XX (5) |
University of Northern BC (UNBC) | No credit |